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Arte Livre

Tradução de FLOSS+Art

Edição de Adriana Veloso e Ricardo Ruiz



Sobre o FLOSS+Art

FLOSS+Art critically reflects on the growing relationship between Free Software ideology, open content and digital art. It provides a view onto the social, political and economic myths and realities linked to this phenomenon.

“Mansoux and de Valk remind us that the software industry no longer sells software: it sells licences. More than that, digital content consumption, once open to the free hack, is now increasingly limited to playback only mode. So, on the one hand, the new media producer is predetermined (from education to work) by the distribution and consumption of corporately defined creative tools. On the other hand, the user festers in the passivity of a range of ‘interactive’ experiences evermore linked to indirect consumption opportunities. FLOSS+Art therefore sets out an alternative vision intended to return production and consumption of digital art back to the values of the free software and open source movements: the principles of free use, free access to source code, and freedom to share, customise and distribute software.

The editors of FLOSS+Art are fully aware of how the corporatisation of software has turned the digital creative into a consumer. Propriety operating systems (Mac and PC), alongside the nurturing of user passions for the latest Adobe version updates, ostensibly monopolise and organise education and workplace environments. As Michael van Schaik’s contribution notes, most creatives seem not to care. Indeed, educators are often complicit in the production of obsessive Flash and Photoshop users. After the University, the Adobe tool-chain (as van Schaik calls it) stretches out to the ‘creative’ job market where specific skill requirements in certain applications determine future careers. FLOSS+Art is, in this context, a valid attempt to think through an escape route out of the confines of the Adobe Creative Penal Suite. (Turning Software Inside Out, Tony D. Sampson, 2009)”

With contributions by: Fabianne Balvedi, Florian Cramer, Sher Doruff, Nancy Mauro Flude, Olga Goriunova, Dave Griffiths, Ross Harley, Martin Howse, Shahee Ilyas, Ricardo Lafuente, Ivan Monroy Lopez, Thor Magnusson, Alex McLean, Rob Myers, Alejandra Maria Perez Nuñez, Eleonora Oreggia, oRx-qX, Julien Ottavi, Michael van Schaik, Femke Snelting, Pedro Soler, Hans Christoph Steiner, Prodromos Tsiavos, Simon Yuill

Compiled and edited by Aymeric Mansoux and Marloes de Valk.

http://goto10.org/flossart/

Baixe o livro aqui:
http://thepiratebay.org/torrent/4671426/FLOSS_Art_v1.1


Sobre a edição brasileira
Juntamente aos textos selecionados da publicação em inglês, o livro ainda conta com as reflexões de artistas brasileiros que circularam pelas três conferências de Pure Data que aconteceram no país em 2009.

Sumário comentado da edição inglesa
em itálico, opinições sobre sua edição na versão brasileira

= = = = = = = = = =
TABLE OF CONTENTS
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Aymeric Mansoux,
Marloes de Valk
006
Preface

podemos traduzir, mas podemos fazer um para a versão em português
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Pedro Soler
014
Artists and Free Software – an Introduction

ok
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Femke Snelting
018
Generous Practices: A Fictional
Conversation, Based on Emails, Physical
Encounters, IRC and a Skype session

ok
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Julien Ottavi
028
The ‘Free’ and New Creative Practices:
Open Source Modular Art-efacts


ok
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
oRx-qX
034
Information Nomads and Community Surfing

ok
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Ivan Monroy Lopez
046
Software Cult

não publicar
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Martin Howse
054
Free Time
FlossArtFreeTime
+ + + +
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Simon Yuill
064
All Problems of Notation Will be Solved
by the Masses: Free Open Form Performance,
Free/Libre Open Source Software,
and Distributive Practice

bom, mas virtuoso demais. não sei se vale publicar
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Olga Goriunova
092
Autocreativity: The Operation of Codes of
Freedom in Art and Culture

muito bom mas muito denso - acho que vale
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Sher Doruff
118
Who Done It? Ethico-Aesthetics,
the Production of Subjectivity
and Attribution

+ ou -, não publicaria
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Florian Cramer
128
The Creative Common Misunderstanding

ok
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Hans-Christoph
Steiner
138
Copyright is for Copying

não. chato
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Prodromos Tsiavos
154
Common(s) Issues for Digital Art Libraries:
From Open Licensing to Open Collaboration

não. chato e cheio de exemplos londrinos
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Ross Rudesch Harley 170
From Open Circuits to Open Distribution:
Can Video Artists Adopt FLOSS Strategies
as their Own?

ok
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Michael van Schaik 180
The Shrink-Wrapped Design Process

ok
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Ricardo Lafuente
192
Appropriation and Type – Before and Today

+ ou -. Tipografia e copyright
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Nancy Mauro-Flude
206
Linux for Theatre Makers: Embodiment & Nix
Modus Operandi

ok
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Alex McLean
224
Live coding for free

fraco
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Thor Magnusson
232
Expression and Time: the question
of strata and time management in creative
practices using technology

ok
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Dave Griffiths
248
On free software art, design,
communities and committees

fraco
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Eleonora Oreggia
254
The Piksel Big Bang

+ ou -
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Fabianne Balvedi
262
Free Studios

+ + +
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Shahee Ilyas
270
F/LOSS and the Computer Culture of the
Maldives

ok
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Alejandra Maria
Perez Nuñez
280
FLOSS, it’s Relation with Southern Time

ok
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Rob Myers
294
Open Source Art Again

ok
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -


Sugestão de textos para a versão brasileira

GOTO - Arte e conhecimento tecnológico compartilhados
http://organismo.art.br/blog/?p=2875#%


Algo sobreo o emotional Kernel Panic, de Ricardo Brazileiro

debulhar papers da pdcon - > http://puredata.info/community/projects/convention09/pdcon09-papers

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